Digestive system of human body

Closely allied to the Graces were the Horæ, or Seasons, who were also represented as three beautiful maidens, daughters of Zeus and Themis. Their names were Eunomia, Dice, and Irene.
It may appear strange that these divinities, presiding over the seasons, should be but three in number, but this is quite in accordance with the notions of the ancient Greeks, who only recognized spring, summer, and autumn as seasons; nature being supposed to be wrapt in death or slumber, during that cheerless and unproductive portion of the year which we call winter. In some parts of Greece there were but two Horæ, Thallo, goddess of the bloom, and Carpo, of the corn and fruit-bearing season.

The Horæ are always regarded as friendly towards mankind, and totally devoid of guile or subtlety; they are represented as joyous, but gentle maidens, crowned with flowers, and holding each other by the hand in a round dance. When they are depicted separately as personifications of the different seasons, the Hora representing spring appears laden with flowers, that of summer bears a sheaf of corn, whilst the personification of autumn has her hands filled with clusters of grapes and other fruits. They also appear in company with the Graces in the train of Aphrodite, and are seen with Apollo and the Muses.

They are inseparably connected with all that is good and beautiful in nature, and as the regular alternation of the seasons, like all her other operations, demands the most perfect order and regularity, the Horæ, being the daughters of Themis, came to be regarded as the representatives of order, and the just administration of human affairs in civilized communities. Each of these graceful maidens took upon herself a separate function: Eunomia presided more especially over state life, Dice guarded the interests of individuals, whilst Irene, the gayest and brightest of the three sisters, was the light-hearted companion of Dionysus.

The Horæ were also the deities of the fast-fleeting hours, and thus presided over the smaller, as well as the larger divisions of time. In this capacity they assist every morning in yoking the celestial horses to the glorious chariot of the sun, which they again help to unyoke when he sinks to rest.

In their original conception they were personifications of the clouds, and are described as opening and closing the gates of heaven, and causing fruits and flowers to spring forth, when they pour down upon them their refreshing and life-giving streams.

Text:
Myths and Legends of Ancient Greece and Rome
Author: E.M. Berens
Published: 1880

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Pallas-Athene, goddess of Wisdom and Armed Resistance, was a purely Greek divinity; that is to say, no other nation possessed a corresponding conception. She was supposed, as already related, to have issued from the head of Zeus himself, clad in armour from head to foot.
The miraculous advent of this maiden goddess is beautifully described by Homer in one of his hymns: snow-capped Olympus shook to its foundation; the glad earth re-echoed her martial shout; the billowy sea became agitated; and Helios, the sun-god, arrested his fiery steeds in their headlong course to welcome this wonderful emanation from the godhead. Athene was at once admitted into the assembly of the gods, and henceforth took her place as the most faithful and sagacious of all her fathers counsellors. This brave, dauntless maiden, so exactly the essence of all that is noble in the character of "the father of gods and men," remained throughout chaste in word and deed, and kind at heart, without exhibiting any of those failings which somewhat mar the nobler features in the character of Zeus. This direct emanation from his own self, justly his favourite child, his better and purer counterpart, received from him several important prerogatives. She was permitted to hurl the thunderbolts, to prolong the life of man, and to bestow the gift of prophecy; in fact Athene was the only divinity whose authority was equal to that of Zeus himself, and when he had ceased to visit the earth in person she was empowered by him to act as his deputy.
It was her especial duty to protect the state and all peaceful associations of mankind, which she possessed the power of defending when occasion required. She encouraged the maintenance of law and order, and defended the right on all occasions, for which reason, in the Trojan war she espouses the cause of the Greeks and exerts all her influence on their behalf. The Areopagus, a court of justice where religious causes and murders were tried, was believed to have been instituted by her, and when both sides happened to have an equal number of votes she gave the casting-vote in favour of the accused. She was the patroness of learning, science, and art, more particularly where these contributed directly towards the welfare of nations. She presided over all inventions connected with agriculture, invented the plough, and taught mankind how to use oxen for farming purposes. She also instructed mankind in the use of numbers, trumpets, chariots, &c., and presided over the building of the Argo, thereby encouraging the useful art of navigation. She also taught the Greeks how to build the wooden horse by means of which the destruction of Troy was effected.

The safety of cities depended on her care, for which reason her temples were generally built on the citadels, and she was supposed to watch over the defence of the walls, fortifications, harbours, &c. A divinity who so faithfully guarded the best interests of the state, by not only protecting it from the attacks of enemies, but also by developing its chief resources of wealth and prosperity, was worthily chosen as the presiding deity of the state, and in this character as an essentially political goddess she was called Athene-Polias.

The fact of Athene having been born clad in armour, which merely signified that her virtue and purity were unassailable, has given rise to the erroneous supposition that she was the presiding goddess of war; but a deeper study of her character in all its bearings proves that, in contradistinction to her brother Ares, the god of war, who loved strife for its own sake, she only takes up arms to protect the innocent and deserving against tyrannical oppression. It is true that in the Iliad we frequently see her on the battlefield fighting valiantly, and protecting her favourite heroes; but this is always at the command of Zeus, who even supplies her with arms for the purpose, as it is supposed that she possessed none of her own. A marked feature in the representations of this deity is the ægis, that wonderful shield given to her by her father as a further means of defence, which, when in danger, she swung so swiftly round and round that it kept at a distance all antagonistic influences; hence her name Pallas, from pallo, I swing. In the centre of this shield, which was covered with dragons scales, bordered with serpents, and which she sometimes wore as a breastplate, was the awe-inspiring head of the Medusa, which had the effect of turning to stone all beholders.

In addition to the many functions which she exercised in connection with the state, Athene presided over the two chief departments of feminine industry, spinning and weaving. In the latter art she herself displayed unrivalled ability and exquisite taste. She wove her own robe and that of Hera, which last she is said to have embroidered very richly; she also gave Jason a cloak wrought by herself, when he set forth in quest of the Golden Fleece. Being on one occasion challenged to a contest in this accomplishment by a mortal maiden named Arachne, whom she had instructed in the art of weaving, she accepted the challenge and was completely vanquished by her pupil. Angry at her defeat, she struck the unfortunate maiden on the forehead with the shuttle which she held in her hand; and Arachne, being of a sensitive nature, was so hurt by this indignity that she hung herself in despair, and was changed by Athene into a spider. This goddess is said to have invented the flute, upon which she played with considerable talent, until one day, being laughed at by the assembled gods and goddesses for the contortions which her countenance assumed during these musical efforts, she hastily ran to a fountain in order to convince herself whether she deserved their ridicule. Finding to her intense disgust that such was indeed the fact, she threw the flute away, and never raised it to her lips again.
Athene is usually represented fully draped; she has a serious and thoughtful aspect, as though replete with earnestness and wisdom; the beautiful oval contour of her countenance is adorned by the luxuriance of her wealth of hair, which is drawn back from the temples and hangs down in careless grace; she looks the embodiment of strength, grandeur, and majesty; whilst her broad shoulders and small hips give her a slightly masculine appearance.

When represented as the war-goddess she appears clad in armour, with a helmet on her head, from which waves a large plume; she carries the ægis on her arm, and in her hand a golden staff, which possessed the property of endowing her chosen favourites with youth and dignity.

Athene was universally worshipped throughout Greece, but was regarded with special veneration by the Athenians, she being the guardian deity of Athens. Her most celebrated temple was the Parthenon, which stood on the Acropolis at Athens, and contained her world-renowned statue by Phidias, which ranks second only to that of Zeus by the same great artist. This colossal statue was 39 feet high, and was composed of ivory and gold; its majestic beauty formed the chief attraction of the temple. It represented her standing erect, bearing her spear and shield; in her hand she held an image of Nike, and at her feet there lay a serpent.

The tree sacred to her was the olive, which she herself produced in a contest with Poseidon. The olive-tree thus called into existence was preserved in the temple of Erectheus, on the Acropolis, and is said to have possessed such marvellous vitality, that when the Persians burned it after sacking the town it immediately burst forth into new shoots.

The principal festival held in honour of this divinity was the Panathenæa.

The owl, cock, and serpent were the animals sacred to her, and her sacrifices were rams, bulls, and cows.

Text:
Myths and Legends of Ancient Greece and Rome
Author: E.M. Berens
Published: 1880

Priapus, the son of Dionysus and Aphrodite, was regarded as the god of fruitfulness, the protector of flocks, sheep, goats, bees, the fruit of the vine, and all garden produce.
His statues, which were set up in gardens and vineyards, acted not only as objects of worship, but also as scarecrows, the appearance of this god being especially repulsive and unsightly. These statues were formed of wood or stone, and from the hips downwards were merely rude columns. They represent him as having a red and very ugly face; he bears in his hand a pruning knife, and his head is crowned with a wreath of vine and laurel. He usually carries fruit in his garments or a cornucopia in his hand, always, however, retaining his singularly revolting aspect. It is said that Hera, wishing to punish Aphrodite, sent her this misshapen and unsightly son, and that when he was born, his mother was so horrified at the sight of him, that she ordered him to be exposed on the mountains, where he was found by some shepherds, who, taking pity on him, saved his life.
This divinity was chiefly worshipped at Lampsacus, his birthplace. Asses were sacrificed to him, and he received the first-fruits of the fields and gardens, with a libation of milk and honey.
The worship of Priapus was introduced into Rome at the same time as that of Aphrodite, and was identified with a native Italian divinity named Mutunus.

Text:
Myths and Legends of Ancient Greece and Rome
Author: E.M. Berens
Published: 1880

The Project Gutenberg E-Book
Produced by Alicia Williams, Keith Edkins and the Online
Distributed Proofreading Team at http://www.pgdp.net

Laius, king of Thebes, the son of Labdacus, and a direct descendant of Cadmus, was married to Jocaste, the daughter of a noble Theban. An oracle having foretold that he would perish by the hand of his own son, he determined to destroy the infant to whom Jocaste had just given birth. With the consent of his wife, whose affection for her husband overcame her love for her child, he pierced the feet of the babe, bound them together, and handed the infant over to a servant, with instructions to expose him on Mount Cithæron to perish. But instead of obeying this cruel command, the servant intrusted him to a shepherd who was tending the flocks of Polybus, king of Corinth, and then returned to Laius and Jocaste, and informed them that their orders had been obeyed. The parents were satisfied with the intelligence, and quieted their conscience by the reflection that they had thus prevented their son from committing the crime of parricide.

Meanwhile the shepherd of king Polybus had unbound the feet of the infant, and in consequence of their being much swollen he called him Oedipus (Œdipus), or Swollen-foot. He then carried him to the king, his master, who, pitying the poor little waif, enlisted for him the kind offices of his wife, Merope. Œdipus was adopted by the king and queen as their own son, and grew up in the belief that they were his parents, until one day a Corinthian noble taunted him at a banquet with not being the son of the king. Stung at this reproach the youth appealed to Merope, but receiving an equivocal, though kindly answer, he repaired to Delphi to consult the oracle. The Pythia vouchsafed no reply to his inquiry, but informed him, to his horror, that he was fated to kill his father and to marry his own mother.

Filled with dismay, for he was tenderly attached to Polybus and Merope, Œdipus determined not to return to Corinth, and took instead the road leading to Bœotia. On his way a chariot passed him, in which sat an old man with two servants, who rudely pushed the pedestrian out of the path. In the scuffle which ensued Œdipus struck the old man with his heavy stick, and he fell back dead on the seat of the chariot. Struck with dismay at the unpremeditated murder which he had committed, the youth fled, and left the spot without learning that the old man whom he had killed was his father, Laius, king of Thebes.

Not long after this occurrence the Sphinx (full details of whom have already been given) was sent by the goddess Hera as a punishment to the Thebans. Stationed on a rocky height just outside the city, she propounded to the passers by riddles which she had been taught by the Muses, and whoever failed to solve them was torn in pieces and devoured by the monster, and in this manner great numbers of the inhabitants of Thebes had perished.

Now on the death of the old king Laius, Creon, the brother of the widowed queen, had seized the reins of government and mounted the vacant throne; and when at length his own son fell a victim to the Sphinx, he resolved at all costs to rid the country of this fearful scourge. He accordingly issued a proclamation, that the kingdom and the hand of his sister Jocaste should be awarded to him who should succeed in solving one of the riddles of the Sphinx, it having been foretold by an oracle that only then would the country be freed from the monster.

Just as this proclamation was being made in the streets of Thebes Œdipus, with his pilgrims staff in his hand, entered the city. Tempted by the prospect of so magnificent a reward he repaired to the rock, and boldly requested the Sphinx to propound to him one of her riddles. She proposed to him one which she deemed impossible of solution, but Œdipus at once solved it; whereupon the Sphinx, full of rage and despair, precipitated herself into the abyss and perished. Œdipus received the promised reward. He became king of Thebes and the husband of Jocaste, the widow of his father, king Laius.

For many years Œdipus enjoyed the greatest happiness and tranquillity. Four children were born to him—two sons, Eteocles and Polynices, and two daughters, Antigone and Ismene. But at last the gods afflicted the country with a grievous pestilence, which made terrible havoc among the people. In their distress they entreated the help of the king, who was regarded by his subjects as a special favourite of the gods. Œdipus consulted an oracle, and the response was that the pestilence would continue to rage until the land was purified of the blood of king Laius, whose murderer was living unpunished at Thebes.

The king now invoked the most solemn imprecations on the head of the murderer, and offered a reward for any information concerning him. He then sent for the blind old seer Tiresias, and implored him, by means of his prophetic powers, to reveal to him the author of the crime. Tiresias at first hesitated, but yielding to the earnest solicitations of the king, the old prophet thus addressed him: "Thou thyself art the murderer of the old king Laius, who was thy father; and thou art wedded to his widow, thine own mother." In order to convince Œdipus of the truth of his words, he brought forward the old servant who had exposed him as a babe on Mount Cithæron, and the shepherd who had conveyed him to king Polybus. Horrified at this awful revelation Œdipus, in a fit of despair, deprived himself of sight, and the unfortunate Jocaste, unable to survive her disgrace, hanged herself.

Accompanied by his faithful and devoted daughter Antigone, Œdipus quitted Thebes and became a miserable and homeless outcast, begging his bread from place to place. At length, after a long and painful pilgrimage, he found a place of refuge in the grove of the Eumenides (at Colonus, near Athens), where his last moments were soothed and tended by the care and devotion of the faithful Antigone.

Text:
Myths and Legends of Ancient Greece and Rome
Author: E.M. Berens
Published: 1880

The Project Gutenberg E-Book
Produced by Alicia Williams, Keith Edkins and the Online
Distributed Proofreading Team at http://www.pgdp.net